Švankmajer has gained a reputation over several decades for his unique stop-motion technique and his ability to make surreal, nightmarish and yet somehow funny pictures.
Švankmajer’s trademarks include very exaggerated sounds, often creating a very strange effect in all eating scenes. He often uses very sped-up sequences when people walk and interact. His movies often involve inanimate objects coming alive and being brought to life through his stop-motion. Food is a favourite subject and medium. Stop-motion features in all of his work, though his feature films also include live action to varying degrees.
A lot of his movies, like the short film Down to the Cellar, are made from a child’s perspective, while at the same time often having a truly disturbing and even aggressive nature.
Today he is one of the most celebrated animators in the world. His best known works are probably the feature films Alice (1988), Faust (1994), Conspirators of Pleasure (1996) and Otesánek (2000). Also famous (and much imitated) is the short Dimensions of Dialogue (1982), which shows Arcimboldo-like heads gradually reducing each other to bland copies (“exhaustive discussion”); a clay man and woman who dissolve into one another sexually, then quarrel and reduce themselves to a frenzied, boiling pulp (“passionate discourse”); and two elderly clay heads who extrude various objects on their tongues (toothbrush and toothpaste; shoe and shoelaces, etc.) and use them in every possible combination, sane or otherwise (“factual conversation”).
He was married to Eva Švankmajerová an internationally known surrealist painter, ceramicist and writer until her death in October of 2005. She collaborated on several of his movies including Faust, Otesánek and Alice.