Charlotte Fell-Smith’s book on Dee

[From Charlotte Fell-Smith’s book on Dee (downloadable as a PDF below):]

Since Dee’s departure from England six years ago, great events had happened. The “invincible” Armada of Philip had been beaten in a six days’ running fight up the Channel. The Queen’s hated rival, Mary Queen of Scotland, had been put to death; Leicester’s short dictatorship of the Netherlands had begun and come to an end. Leicester had been dead about a year. New favourites had arisen in the Queen’s favour. But even more significant than these public affairs had been the upward movement in literature, the birth of dramatic art, a passionate outburst of poetic fervour, the growth of a taste for well-disciplined prose.

Many splendid fruits of this movement had not yet seen the light, Sidney’s Arcadia and the first part of Spenser’s Faerie Queen were to be issued within a few months; the first play of Shakespeare was publicly performed within little more than a year of Dee’s return.

But Lyly and Marlowe had already, during his absence, given Campaspe, Tamburlaine and Doctor Faustus, to be performed by actors in the first stationary home of the earlier nomadic players, the theatres of Shoreditch, immediately to be followed by those of Bankside. Bacon was perhaps even then meditating his Essays, published some half a dozen years later; Hooker issued the first books of his monumental Laws of Ecclesiastical Polity within four years; and Nash, Peele, Green, and a horde of other writers, were contributing to establish the English literary renaissance. One can scarcely help wondering how much the fabulous stories of Dee and Kelley, which must have reached Marlowe’s ears, contributed to his splendid dramatisation of the Faust legend (first printed in Frankfort in 1587). But after all, even the story of Dee’s angels and Kelley’s gold, pales before the lurid glow of the stories of the earlier alchemists, Agrippa and Paracelsus.

John Dee by Charlotte Fell-Smith (1909)

http://www.johndee.org/charlotte/pdf/charlotte.pdf


No courtier would publicly admit to such interests…

[The problem with conjuring spirits and such – as Faust did – was not so much that people thought you were nuts, but that people were afraid you would succeed. In our day we have similar anxieties about AI and aliens. You might protest that they were ignorant and we are not, but clearly nothing’s changed. As mentioned, it was the same thing with Faust: he wanted the secrets of God, but wasn’t really capable of handling them. It’s also true of Western Civilization and our science and technology – we want God’s secrets, but there’s good reason to fear we’re going to obliterate the planet with them. Here is how Western Civilization is Faustian – we’re willing to take the chance. In fact we’re already committed. Too many of our “advancements” have created lethal problems that depend on future solutions.]

No courtier would publicly admit to such interests, not because it would make him seem gullible-the existence of spirits was as clear as the existence of God-but because it would suggest that he was trying to tap into a reservoir of power that was not his to control. It is unsurprising, then, that Dee was so discreet about his own spiritual activities, and those of his powerful friends.

The Queen’s Conjurer, The Science and Magic of Dr John Dee – Benjamin Woolley.

The accusations against Dee were many and various…

“The accusations against Dee were many and various, but focused not on his religious leanings so much as his links with mathematics and magic. “In those dark times,” the seventeenth-century historian John Aubrey wrote of Dee’s era, “astrologer, mathematician and conjuror were accounted the same things.” This was certainly the case with Dee. He was charged with “calculating,” “conjuring,” and “witchcraft” on the grounds that he had drawn up horoscopes for Mary, her husband Philip of Spain, and Elizabeth. He was probably guilty. The remnant of his diary for this period includes an entry (inaccurately transcribed by Elias Ashmole) showing the date and time of Mary’s marriage to Philip, and noting that the rising sign at the moment of their wedding- 11 A.M., 25 July 1554-was Libra (a good omen, as Libra was the sign associated with marriage or partnership, ruled by Venus).”

The Queen’s Conjurer, The Science and Magic of Dr John Dee – Benjamin Woolley

Backlund describes and transcribes two folios of fragmented material….

A Golden Storm: Attempting to Recreate the Context of John Dee and Edward Kelley’s Angelic Material.

by Teresa Burns, Journal of the Western Mystery Tradition.

[An essay questioning how Dee and Kelley’s Angelic or Enochian writings evolved into or inspired later occult societies like Mather’s and Crowley’s Golden Dawn. Context with “bad history.” Also, Rudolf II and Golem – the original one, not the milky newt. A fresh look at Edward Kelley’s reputation. 007 and Dee, John Dee. Emphasis ours: The mystery of Christopher Marlowe.]

by Teresa Burns, Journal of the Western Mystery Tradition.

Jan Backlund’s ‘In the Footsteps of Edward Kelley’ on Danish manuscripts “…describes and transcribes two folios of fragmented material, clearly related to Dee and Kelley and physical alchemy, folios which include names also used in Dee’s diary like Digges (Thomas Digges?), Garland (Francis Garland? aka Gulielmus Shakespeare?), and Carpe (John Carpio/Johannis Carpionis de Kaprstein), and a poem of Kelley’s that Ashmole republishes in Theatrum Chemicum Brittanicum with an added dedication to “G.S., Gent.” Some of the names in the manuscripts are likely those of couriers, as evidenced by the writing out of their name in code, and that their names appear in manuscripts that seem to have originated in Prague, passed through England, and wound up in Denmark. One even wonders if the “Poole” who appears in these manuscripts is the notorious Cheshire gentleman and brutal “intelligencer” John Poole, who allegedly had “great skill in mixture of metals,” and may be peripherally related to the espionage circle around playwright Christopher Marlowe. Such primary evidence again begs the questions: how does Dee and Kelley’s work in physical alchemy and their status as “intelligencers” inform the angelic workings? Is there enough evidence left anywhere to ever know?”

From <http://www.jwmt.org/v2n19/golden.html>.

A Golden Storm: Attempting to Recreate the Context of John Dee and Edward Kelley’s Angelic Material. By Teresa Burns. Journal of the Western Mystery Tradition.\\No. 19, Vol. 2. Autumnal Equinox 2010.

From Wikipedia:

“Thomas Digges, born about 1546, was the son of Leonard Digges (c. 1515 – c. 1559), the mathematician and surveyor, and Bridget Wilford, the daughter of Thomas Wilford, esquire, of Hartridge in Cranbrook, Kent, by his first wife, Elizabeth Culpeper, the daughter of Walter Culpeper, esquire. Digges had two brothers, James and Daniel, and three sisters, Mary, who married a man with the surname of Barber; Anne, who married William Digges; and Sarah, whose first husband was surnamed Martin, and whose second husband was John Weston.”1

“After the death of his father, Digges grew up under the guardianship of John Dee, a typical Renaissancenatural philosopher. In 1583, Lord Burghley appointed Digges, with John Chamber and Henry Savile, to sit on a commission to consider whether England should adopt the Gregorian calendar, as proposed by Dee.”

Thomas Digges at https://en.wikipedia.org/wiki/Thomas_Digges.
  1. This John Weston died circa 1564. []

Dee’s Faustian pursuit of his own interests in defiance of

[Dee’s Faustian pursuit of his own interests in defiance of convention requires justification. But fraud is the hallmark of the Devil, and Kelley – who claims to hate the whole operation – in a time of stress invokes the acid test that all Faustian seekers must demand of their demons and angels: tell me something I don’t know.]

‘Kelley was still murmuring under the mystical dealings of the angels. “Let them give me somewhat profitable to my body, or some wisdom to my mind’s behoof, and then I will believe in them,” he says. Then he protests he will confess all to the priest, and if the holy father does not allow their doings or counsel to be genuine, neither will he.

The remarkable answer that Dee gives again shows us how in advance he was of his times in matters spiritual as well as scientific. “The authority of good angels or messengers from God is greater,” says he, “than the authority of the Pope, or priests.”’

John Dee by Charlotte Fell-Smith (1909)

Pasted from <http://www.johndee.org/charlotte/pdf/charlotte.pdf>

John Dee’s crystal…

John Dee’s crystal, Europe, 1582

Pasted from <http://www.sciencemuseum.org.uk/broughttolife/objects/display.aspx?id=10708&keywords=dee>




Credit: Science Museum, London

Pasted from <http://www.sciencemuseum.org.uk/broughttolife/objects/display?id=10708&keywords=dee>


From Wikipedia:

“In the 1st century AD, Pliny the Elder describes use of crystal balls by soothsayers (“crystallum orbis”, later written in Medieval Latin by scribes as orbuculum). By the 5th century AD, scrying was widespread within the Roman Empire and was condemned by the early medieval Christian Church as heretical.

Dr. John Dee was a noted British mathematician, astronomer, astrologer, geographer, and consultant to Queen Elizabeth I. He devoted much of his life to alchemy, divination, and Hermetic philosophy, of which the use of crystal balls was often included.”

Pasted from <https://en.wikipedia.org/wiki/Crystal_ball>

John Dee’s Claude Glass

John Dee’s Claude Glass

[Thought to have once belonged to John Dee (1527-1609), this object is a “Claude glass:” a convex piece of glass with a black blacking. They were popular among artists and tourists to look at landscapes (with their backs to the subject). Dee is said to have used this object like a crystal ball for divination (telling the future or fortunes) or scrying (seeing visions).]

Credit: Science Museum, London

Pasted from <http://www.sciencemuseum.org.uk/broughttolife/objects/display?id=10722&keywords=dee>




Science Museum, London, Wellcome Images

Pasted from <https://www.rcplondon.ac.uk/news/mystical-objects-john-dee>



While John Dee’s interest in spirit communications has been considered

[While John Dee’s interest in spirit communications has been considered discreditable, that is because Christian authorities assumed that any spirit that talked through, well, anybody but them, was probably a demon. Dee was considerate of this, and didn’t necessarily trust anything or anyone.

The Faustian path is one taken by a lot of people in history – well educated, always seeking for more knowledge, they exhaust their resources, reach a pinnacle, and still grasping, find empty air. Faust dies on a dung heap, Dee dies broke.

The quest for learning involves unhinging one’s self from the mundane. Drifting is a challenge, getting caught up in a current and lost happens far too often. The people who do this accept the risks. Dee was unable to secure a patron and a living. His hope lay in some advance in alchemy or spirit mining, but nothing was fruitful. The material world was the place to secure riches, but even that’s a gamble and requires more dedication that Dee seems willing to have given it.

Dee took Faust’s path and paid the traditional price. From Charlotte Fell Smith, a small quote:]

“Search while thou wilt; and let thy reason go
To ransom truth, e’en to th’abyss below;
Rally the scattered causes; and that line
Which nature twists be able to untwine.
It is thy Maker’s will; for unto none
But unto reason can He e’er be known.”
— Sir Thomas Browne

Pasted from <http://www.johndee.org/charlotte/pdf/charlotte.pdf>

Some people think that John Dee was an inspiration for Marlowe’s Dr. Faustus

[Some people think that John Dee was an inspiration for – at least – Marlowe’s Dr. Faustus. Here, Charlotte Fell Smith copies from Dee’s journal a conversation with the (supposed) Archangel Michael that echoes Faustus’s conversation with Mephisto.

From Charlotte Fell Smith’s biography of John Dee:]

“The sole object of his ambition was the attainment of legitimate wisdom.

When conversing with the angels, how near within his grasp it seemed! Michael’s exposition seemed almost to promise it to him: —

`Wilt thou have witt and wisdom? Here it is.’

Michael points each time to a figure of seven squares shown within a circle of light.

`The exaltation and government of princes is in my hand.
In counsayle and Nobilitie, I prevayle.
The Gayne and Trade of Merchandise is in my hand. Lo! here it is.
The Qualitie of the Earth and Waters is my knowledge, and I know them.
And here it is.
The motion of the Ayre and those that move in it, are all known to me. Lo! here they are.
I signifie wisdom. In fire is my government. I was in the beginning and shall be to the end.
Mark these mysteries. For this knowne, the state of the whole earth is knowne, and all that is thereon. Mighty is God, yea, mighty is he who hath composed for ever. Give diligent eye. Be wise, merry and pleasant in the Lord.’“

Pasted from <http://www.johndee.org/charlotte/pdf/charlotte.pdf>